Last Thursday I managed to catch a dose of Malian music, in the form of Salif Keita playing a free concert at the Santa Monica pier. Everyone asked me how I managed to hear about his concert, and, unbelievably, it was while I was sitting at the homeland of celebrity and supermodel shopping, Fred Segal. I felt entirely out of place there, and picked up an LA Weekly to look a little occupied, and just about dropped the paper when I heard about Keita's upcoming concert.
While I was in Senegal, I came to be pretty biased against actual Senegalese music, especially the mbalax style popularized by Yousou Ndour and Vivian. Mbalax is essentially African Pop Music, with a lot of Tam Tams and the same beats thrown over and over, and lots of silly dancing. The opening (American) act for the Salif Keita concert turned out to be some sort of fan of Mbalax dancing, and had two girls copying the moves throughout her show, and a band comprised partly of Senegalese. Malian music, in my eyes, is more grounded in tradition, and plain not so cheesy. Last years Vanity Fair music issue featured Youssou Ndour, the father of Senegalese Pop, Babaa Maal, who plays a mix of traditional Pulaar and the same Pop, and, of course Salif Keita, and now I had the chance to see him live, in America, for free, when I never managed to see him play in Africa.
My friends and I came very close to seeing Babaa Maal play in Bakel not long after I arrived in my village. He had a small tour of Senegal running straight through the Fouta (Northern Senegal) to Kidira. My first trip away from my village to Bakel, we managed to pick up tickets to Babaa Maal for 4 bucks, but never made it. We used the tickets instead to bribe our bus drivers, and thanks to missing out on the concert, we had free baggage between Bakel and Tamba for the rest of our time out there.
Since I blew my one chance to see a well-known act in Africa, I jumped at the chance to see one back in America. I arrived at the pier so early, no one even recognized the name Salif Keita. After killing some time by walking around the beach, I settled in for the night, an hour before even the opening act. Slowly people trickled in, and amongst the beach crowd, I started to see something I hadn't for over a month: diskettetes! (Senegalese slang for young women who dress up in tight clothing). Girls wearing outfits I KNEW had to come from West Africa, and the sounds of Wow, Wow, Wow (Yes in Wolof). It seemed that more African-Americans were wearing traditional dress than the Africans themselves; the people in the skintight outfits were shouting in Wolof and French, and the people in grand boubous were speaking in English. I even managed to spot a boubou made entirely out of denim, worn by a man who definately did not look as if he were straight from Senegal. While I wanted to reach out and start speaking the few words of Wolof I knew (sweet, good, crazy, etc), or try a little Pulaar, I also wondered what my place was. I clearly did not belong due to my white-ness, but I felt more at home seeing and hearing bits of W. Africa, than I did with the shorts-wearing, fancy bottled-water-carrying, folded-seat, baby-stroller crowd.
Luckily, once Salif started singing,the divisions were not quite so apparent, and honestly, the entire crowd was so mesmorized that I did not have time to wonder about where I fit in. I heard people say that his concert was the best concert they had ever been to, which is a pretty big thing to say in LA, the land of entertainment. The only dissapointment music-wise I had was that the concert ended after three hours, when I was used to hearing music continue all night long in Africa.
This was the other dissapoint. Trying to see Salif at the end of the concert. Either the record company or he required that one had to purchase his new album there in order to see him in person. I wanted him to sign something for my village, and I was pushed away from his visiting area by his crew of bodyguards. That was just a friendly reminder that I'm not in Africa anymore.
While I was attempting to get my audience with Salif, I ran into a group of Malian RPCV's. When I told them I returned a month ago, they all said they were sorry, because coming home is the worst part of the Peace Corps. I asked one girl if things ever got any better, and she said not really, and she's been home for over a year. As she put it, "I'm on the fringe of society." Until, of course, another concert rolls around and we can fit in again for a few hours.